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los dioses"]},"book_subtitle":"Se trata de dioses adorados por los nativos de esta tierra, que es Nueva España.","book_number":"1","total_folios":121,"texts":{"spanish_col":[{"id":"6366d62c-5f78-44ae-9992-87c0aeafbeba","choice":{"en":["Spanish by López Austin & García Quintana 2000"],"es":["Español por López Austin & García Quintana 2000"]},"type":"transcription","type_label":{"en":["spanish transcription"],"es":["transcripción en español"]},"column":"spanish","language":{"en":["Spanish"],"es":["Español"]},"language_code":"spa","subtitle":"(López Austin & García Quintana 2000)","markdown":"y hacían con esto muchas vanidades. \n\nLas vestiduras y ornatos desta diosa eran que tenía la boca y barba hasta la garganta teñida con _ulli_, que es una goma negra; tenía en el rostro como un parche redondo de lo mismo; tenía en la cabeza a manera de una gorra hecha de manta revuelta y añudada; los cabos del nodo caían sobre las espaldas; en el mesmo nodo estaba enxerido un plumaje del cual salían unas plumas a manera de llamas; estaban colgando hacia la parte trasera de la cabeza; tenía vestido un _huipilli_, el cual en la estremidad de abaxo tenía una cortapisa ancha y arpada; las naguas que tenía eran blancas; tenía sus cutaras o sandalias en los pies; en la mano izquierda, una rodela con una chapa redonda de oro en el medio; en la mano derecha tenía una escoba, que es instrumento para barrer.\n\n#### Capítulo IX se trata de una diosa llamada Tzaputlatena \n\nEsta diosa que se dice Tzaputlatena fue una mujer, según su nombre nacida en el pueblo de Tzaputla. Y por esto se llama \"la madre de Tzaputla\", porque fue la primera que inventó la resina que se llama _úxitl_, y es un aceite sacado por artificio de la resina del","html":"<p>y hacían con esto muchas vanidades.</p>\n<p>Las vestiduras y ornatos desta diosa eran que tenía la boca y barba hasta la garganta teñida con <em>ulli</em>, que es una goma negra; tenía en el rostro como un parche redondo de lo mismo; tenía en la cabeza a manera de una gorra hecha de manta revuelta y añudada; los cabos del nodo caían sobre las espaldas; en el mesmo nodo estaba enxerido un plumaje del cual salían unas plumas a manera de llamas; estaban colgando hacia la parte trasera de la cabeza; tenía vestido un <em>huipilli</em>, el cual en la estremidad de abaxo tenía una cortapisa ancha y arpada; las naguas que tenía eran blancas; tenía sus cutaras o sandalias en los pies; en la mano izquierda, una rodela con una chapa redonda de oro en el medio; en la mano derecha tenía una escoba, que es instrumento para barrer.</p>\n<h4>Capítulo IX se trata de una diosa llamada Tzaputlatena</h4>\n<p>Esta diosa que se dice Tzaputlatena fue una mujer, según su nombre nacida en el pueblo de Tzaputla. Y por esto se llama &quot;la madre de Tzaputla&quot;, porque fue la primera que inventó la resina que se llama <em>úxitl</em>, y es un aceite sacado por artificio de la resina del</p>\n","citation_key":"citation_lopez_spanish_transcription","citation":{"en":["Spanish by López Austin & García Quintana 2000"],"es":["Español por López Austin & García Quintana 2000"]}},{"id":"4aa559cd-356d-41b4-9581-9cf678695d49","choice":{"en":["Spanish-to-English by García Garagarza 2023"],"es":["Español-al-inglés por García Garagarza 2023"]},"type":"translation","type_label":{"en":["spanish translation"],"es":["traducción al español"]},"column":"spanish","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(García Garagarza 2023)","markdown":"in this garment; and they enacted many vanities while doing this.\n\nThe goddess’s garments and ornaments were these: She had her mouth and her chin down to her throat dyed with _olli_, which is a black gum. She had on her face something like a round patch made of the same [substance]. She wore on her head a sort of cap made of twisted and knotted cloth; the ends of the knot fell on her back. Inserted into this same knot was a feathered headdress, from which protruded some feathers in the manner of flames; these were hanging toward the back of her head. She dressed in a _huipilli_ whose lower end had a wide and indented band; her skirt was white. On her feet, she wore her shoes, or sandals. In her left hand, she held a round shield with a round gold plate in the middle; in her right hand, she held a broom, which is a tool for sweeping. \n\n#### The ninth chapter concerns a goddess named Tzapotlatena\n\nThis goddess called Tzapotlatena was a woman, as per her name, born in the town of Tzapotlan. And this is why she is called “the mother of Tzapotlan,” because she was the first to invent the resin called _oxitl_, which is an oil that is extracted through skill","html":"<p>in this garment; and they enacted many vanities while doing this.</p>\n<p>The goddess’s garments and ornaments were these: She had her mouth and her chin down to her throat dyed with <em>olli</em>, which is a black gum. She had on her face something like a round patch made of the same [substance]. She wore on her head a sort of cap made of twisted and knotted cloth; the ends of the knot fell on her back. Inserted into this same knot was a feathered headdress, from which protruded some feathers in the manner of flames; these were hanging toward the back of her head. She dressed in a <em>huipilli</em> whose lower end had a wide and indented band; her skirt was white. On her feet, she wore her shoes, or sandals. In her left hand, she held a round shield with a round gold plate in the middle; in her right hand, she held a broom, which is a tool for sweeping.</p>\n<h4>The ninth chapter concerns a goddess named Tzapotlatena</h4>\n<p>This goddess called Tzapotlatena was a woman, as per her name, born in the town of Tzapotlan. And this is why she is called “the mother of Tzapotlan,” because she was the first to invent the resin called <em>oxitl</em>, which is an oil that is extracted through skill</p>\n","citation_key":"citation_garagarza","citation":{"en":["Spanish-to-English by García Garagarza 2023"],"es":["Español-al-inglés por García Garagarza 2023"]}}],"nahuatl_col":[{"id":"484bb183-532e-45fa-a002-8f2f9d263cbb","choice":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]},"type":"transcription","type_label":{"en":["nahuatl transcription"],"es":["transcripción al náhuatl"]},"column":"nahuatl","language":{"en":["Nahuatl"],"es":["Náhuatl"]},"language_code":"nci","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"njman ce tlacatl onmaqujaia, yn jeoaio, ynnepantla oalmoquetzaia, vmentin ycuexoa, qujujcaia, qujtzatzacutiujia: \n\nmotiçauique, motlotloujtecque, çan pepetlauhtiuj, in memecamaxtli: amacalli in qujmama, mahmalacaquetzallo, ichcaxochiio, hiujquetzallo: \n\nvmpa concaoa, in tocititlan: quauhtlapechco contlaliaia yn jeoaio. \n\nAuh ynjc nechichioale, motenolcopi, tlaxapuchtli qujmotlatlalili yn jcamapã ichcaxochioa, çoiatemale, cuechcueie, mocuechcueti: ic mjtoa, citlalli ycue, citlalcueie, quavīvih, tzetzeliuhquj yn juipil, quauhtzetzeliuhquj, iztac quavihujio, quauhteuitzço; yn jchimal, teucujtlaytixapo, totoicxiio, popoa, izqujce. \n\n#### Jnjc chicunauj, capitulo: vncan moteneoa yn cioateutl, yn jtoca Tzaputla tena. \n\nCe cioatl, ipan mjxeoaia, yn oxitl ynacaio muchioaia:\n\nquipaleuja yn tenacaio, yn aqujn quaxocociuj, tozcamjiaoaciuj, motozcaoxiuja: chaquachiuj, quaçaoati, xotzaianj, tentzaianj, ixteteçonauj,","html":"<p>njman ce tlacatl onmaqujaia, yn jeoaio, ynnepantla oalmoquetzaia, vmentin ycuexoa, qujujcaia, qujtzatzacutiujia:</p>\n<p>motiçauique, motlotloujtecque, çan pepetlauhtiuj, in memecamaxtli: amacalli in qujmama, mahmalacaquetzallo, ichcaxochiio, hiujquetzallo:</p>\n<p>vmpa concaoa, in tocititlan: quauhtlapechco contlaliaia yn jeoaio.</p>\n<p>Auh ynjc nechichioale, motenolcopi, tlaxapuchtli qujmotlatlalili yn jcamapã ichcaxochioa, çoiatemale, cuechcueie, mocuechcueti: ic mjtoa, citlalli ycue, citlalcueie, quavīvih, tzetzeliuhquj yn juipil, quauhtzetzeliuhquj, iztac quavihujio, quauhteuitzço; yn jchimal, teucujtlaytixapo, totoicxiio, popoa, izqujce.</p>\n<h4>Jnjc chicunauj, capitulo: vncan moteneoa yn cioateutl, yn jtoca Tzaputla tena.</h4>\n<p>Ce cioatl, ipan mjxeoaia, yn oxitl ynacaio muchioaia:</p>\n<p>quipaleuja yn tenacaio, yn aqujn quaxocociuj, tozcamjiaoaciuj, motozcaoxiuja: chaquachiuj, quaçaoati, xotzaianj, tentzaianj, ixteteçonauj,</p>\n","citation_key":"citation_anderson_nahuatl_transcription","citation":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]}},{"id":"eb515726-afc5-4c98-bb4f-6e9a1abc9cd3","choice":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]},"type":"translation","type_label":{"en":["nahuatl translation"],"es":["traducción al náhuatl"]},"column":"nahuatl","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"then a man put on her skin and stood between two of his Huaxtecs,[^44] who accompanied him on either side. \n\nThey were painted with white chalk and with [marks like] hawk scratches. They went naked, with a rope for a breech-clout. On their backs they carried a paper crown provided with protruding spindles, cotton flowers, and quetzal feathers.[^45] \n\nThey brought to Tocititlan [the man wearing the skin of the victim]; they left her skin upon a wooden bench.[^46] \n\nAnd the array [of Teteo innan] was as follows: there was liquid rubber on her lips; [the representation of] a hole was placed on each cheek. She had cotton flowers. She had a ball with palm strips.[^47] She had a shell-covered skirt, called a star-skirt. She had the star-skirt. Eagle feathers were strewn over her shift&#8212;it was strewn with eagle [feathers]; it had white eagle feathers, pointed eagle feathers. Her golden shield was perforated in the center. She carried a bird foot. She used a broom; she carried a broom. \n\n\n\n#### Ninth Chapter: here is named the goddess called Tzapotlan tenan (the Mother of Tzapotlan). \n\nShe was represented as a woman. From her substance was made turpentine. \n\nShe healed the bodies of men, those with itch of the head.[^48] Those who were hoarse used the turpentine unguent on the throat; [they used it] who had sores or pimples on the head,[^49] or cracks in the skin of the feet, the lips, the face, \n\n\n\n\n\n[^44]: Seler, *Einige Kapitel,* p. 6. Cf. also Sahagún, *op. cit.,* p. 193, referring to the Toçi festival: *&#8221;iban delante de ellos aquellos sus devotos que se llaman icuexóan.&#8221;* \n\n[^45]: See Pl. 8.\n\n[^46]: Sahagún, *ibid.,* p. 196, calls it *garita.* \n\n[^47]: Garibay translates *yçoiatemal* as *&#8221;su mechón, de palma.&#8221;* Sahagún (Garibay ed.), Vol. IV, p. 283.\n\n[^48]: *&#8221;&#8230;vna manera, de bubas, o sarna: que nace, en la cabeça&#8221;* (corresponding Spanish text).\n\n[^49]: *&#8221;&#8230;otra enfermedad &#8230; assi mjsmo, que nace en la cabeça: que es coma bubas&#8221; (loc. cit.).*","html":"<p>then a man put on her skin and stood between two of his Huaxtecs,<sup class=\"footnote-ref\" id=\"fnref-1\"><a href=\"#fn-1\">1</a></sup> who accompanied him on either side.</p>\n<p>They were painted with white chalk and with [marks like] hawk scratches. They went naked, with a rope for a breech-clout. On their backs they carried a paper crown provided with protruding spindles, cotton flowers, and quetzal feathers.<sup class=\"footnote-ref\" id=\"fnref-2\"><a href=\"#fn-2\">2</a></sup></p>\n<p>They brought to Tocititlan [the man wearing the skin of the victim]; they left her skin upon a wooden bench.<sup class=\"footnote-ref\" id=\"fnref-3\"><a href=\"#fn-3\">3</a></sup></p>\n<p>And the array [of Teteo innan] was as follows: there was liquid rubber on her lips; [the representation of] a hole was placed on each cheek. She had cotton flowers. She had a ball with palm strips.<sup class=\"footnote-ref\" id=\"fnref-4\"><a href=\"#fn-4\">4</a></sup> She had a shell-covered skirt, called a star-skirt. She had the star-skirt. Eagle feathers were strewn over her shift—it was strewn with eagle [feathers]; it had white eagle feathers, pointed eagle feathers. Her golden shield was perforated in the center. She carried a bird foot. She used a broom; she carried a broom.</p>\n<h4>Ninth Chapter: here is named the goddess called Tzapotlan tenan (the Mother of Tzapotlan).</h4>\n<p>She was represented as a woman. From her substance was made turpentine.</p>\n<p>She healed the bodies of men, those with itch of the head.<sup class=\"footnote-ref\" id=\"fnref-5\"><a href=\"#fn-5\">5</a></sup> Those who were hoarse used the turpentine unguent on the throat; [they used it] who had sores or pimples on the head,<sup class=\"footnote-ref\" id=\"fnref-6\"><a href=\"#fn-6\">6</a></sup> or cracks in the skin of the feet, the lips, the face,</p>\n<section class=\"footnotes\">\n<ol>\n<li id=\"fn-1\"><p>Seler, <em>Einige Kapitel,</em> p. 6. Cf. also Sahagún, <em>op. cit.,</em> p. 193, referring to the Toçi festival: <em>”iban delante de ellos aquellos sus devotos que se llaman icuexóan.”</em><a href=\"#fnref-1\" class=\"footnote\">&#8617;</a></p></li>\n<li id=\"fn-2\"><p>See Pl. 8.<a href=\"#fnref-2\" class=\"footnote\">&#8617;</a></p></li>\n<li id=\"fn-3\"><p>Sahagún, <em>ibid.,</em> p. 196, calls it <em>garita.</em><a href=\"#fnref-3\" class=\"footnote\">&#8617;</a></p></li>\n<li id=\"fn-4\"><p>Garibay translates <em>yçoiatemal</em> as <em>”su mechón, de palma.”</em> Sahagún (Garibay ed.), Vol. IV, p. 283.<a href=\"#fnref-4\" class=\"footnote\">&#8617;</a></p></li>\n<li id=\"fn-5\"><p><em>”…vna manera, de bubas, o sarna: que nace, en la cabeça”</em> (corresponding Spanish text).<a href=\"#fnref-5\" class=\"footnote\">&#8617;</a></p></li>\n<li id=\"fn-6\"><p><em>”…otra enfermedad … assi mjsmo, que nace en la cabeça: que es coma bubas” (loc. cit.).</em><a href=\"#fnref-6\" class=\"footnote\">&#8617;</a></p></li>\n</ol>\n</section>\n","citation_key":"citation_anderson_nahuatl_eng_translation","citation":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]}}]},"folio":"4r"}