were painted all severed heads, ears, hearts, entrails, livers, lungs, hands, and feet. And he had a simple loincloth, but his loincloth was very precious. It too had the tlaquaquallo motif woven into its design. His large loincloth1 was just of paper, paper from tree bark, a braza wide and twenty long, painted with a blue [striped design].2 And at his hips he carried his blood banner, just of paper, with a flint knife at the point [of the staff]; it was painted with [red] color, painted like blood. And the flint knife at the point was likewise made of paper, painted the same way, painted like blood. And the shield he had was made of strong reeds, a reed shield, feathered in four places with eagle down, sprinkled with feathers. It is called a tehuehuelli. And it had a shield banner, painted like the blood banner. And he held four arrows together with his shield.
\nestá pintado con cráneos, orejas, corazones, intestinos, hígados, pulmones, manos, pies. Y su maxtlatl [braguero] sólo es un maxtlatl bien precioso. Su brocado también es [de estilo] tlacuahcualloh, tejido. Y su gran maxtlatl sólo es de papel, de aquel que es papel de árbol, de una cuarta de ancho, de veinte de largo, con un dibujo de rayas azules. A las caderas estaba cargando su punta de pedernal. Su bandera de sangre sólo era de papel, pintada de rojo, pintada de sangre. Su punta de pedernal nomás estaba hecha de papel, también estaba pintada así, pintada de sangre. Y trae puesto su escudo, hecho de otate, escudo de otate, emplumado en cuatro lugares con plumones de águila, salpicado de plumillas; se le nombra tehuehuelli. Y la bandera del escudo está pintada de la misma forma que la bandera de sangre, y cuatro flechas las asían por entero a su escudo.
\n","citation_key":"citation_alcantara_nahuatl_spa_translation","citation":{"en":["Nahuatl-to-Spanish by Alcántara Rojas and Navarrete Linares 2023"],"es":["Náhuatl-al-español por Alcántara Rojas & Navarrete Linares 2023"]}},{"id":"8f6bc620-7db3-4687-9ec2-77a68a3bbeb8","choice":{"en":["Nahuatl by Lockhart 1993"],"es":["Náhuatl por Lockhart 1993"]},"type":"transcription","type_label":{"en":["nahuatl transcription"],"es":["transcripción al náhuatl"]},"column":"nahuatl","language":{"en":["Nahuatl"],"es":["Náhuatl"]},"language_code":"nci","subtitle":"(Lockhart 1993)","markdown":"icuiliuhtoc in tzontecomatl, nacaztli, iollotli, cuitlaxculli eltapachtli, tochichi, macpalli, xocpalli, yoan imaxtli: çan in maxtlatl, vellaçotlanqui: auh in itlamachio inic no tlaquaquallo inic tlaquittli: auh in ivei[maxtli][^102] çan amatl, iehoatl in quaoamatl, inic patlaoac cemmatl: auh inic viac cempoalli, inic tlacuilolli texoacaxilqui,[^103] auh in iquezpan quimamanticatca iacatecpaio: in iezpan çan amatl catca, tlapalli inic tlacuilolli, inic tlaezicuilolli: iacatecpaio, çanno amatl in tlachioalli, çanno iuhqui inic tlacuilolli, tlaezicuilolli, yoan ichimal ietica otlatl in tlachioalli, otlachimalli, nauhcan tlapotonilli, quauhtlachcaiotica, hivichachapanqui, moteneoa: Tevevelli, auh chimalpaio, çanno iuhqui in ezpanitl inic tlacuilolli; yoan navi imiuh ic quicentzitzquia in ichimal \n\n[^102]: IVEI[MAXTLI]. The element “-maxtli,” the possessed form of *maxtlatl* ‘loincloth’, was omitted in the manuscript, though an empty space has been left where it should have been.\n\n\n[^103]: TEXOACAXILQUI. Here I rely on Sahagún 1950–1982: 13.53.","html":"icuiliuhtoc in tzontecomatl, nacaztli, iollotli, cuitlaxculli eltapachtli, tochichi, macpalli, xocpalli, yoan imaxtli: çan in maxtlatl, vellaçotlanqui: auh in itlamachio inic no tlaquaquallo inic tlaquittli: auh in ivei[maxtli]1 çan amatl, iehoatl in quaoamatl, inic patlaoac cemmatl: auh inic viac cempoalli, inic tlacuilolli texoacaxilqui,2 auh in iquezpan quimamanticatca iacatecpaio: in iezpan çan amatl catca, tlapalli inic tlacuilolli, inic tlaezicuilolli: iacatecpaio, çanno amatl in tlachioalli, çanno iuhqui inic tlacuilolli, tlaezicuilolli, yoan ichimal ietica otlatl in tlachioalli, otlachimalli, nauhcan tlapotonilli, quauhtlachcaiotica, hivichachapanqui, moteneoa: Tevevelli, auh chimalpaio, çanno iuhqui in ezpanitl inic tlacuilolli; yoan navi imiuh ic quicentzitzquia in ichimal
\nicujliuhtoc in tzontecomatl, nacaztli, iollotli, cujtlaxculli eltapachtli, tochichi, macpalli, xocpalli, yoan imaxtli: çan in maxtlatl, vellaçotlanquj: auh in jtlamachio injc no tlaquaquallo injc tlaqujttli: auh in jvei[maxtli] çan amatl, iehoatl in quaoamatl, injc patlaoac cemmatl: auh injc viac cempoalli, injc tlacujlolli texoacaxilquj, auh in jquezpan qujmamanticatca iacatecpaio: in jezpan çan amatl catca, tlapalli injc tlacujlolli, injc tlaezicujlolli: iacatecpaio, çan no amatl in tlachioalli, çan no iuhquj injc tlacujlolli, tlaezicujlolli, yoan ichimal ietica otlatl in tlachioalli, otlachimalli, nauhcan tlapotonjlli, quauhtlachcaiotica, hivichachapanquj, moteneoa: Tevevelli, auh chimalpaio, çan no iuhquj in ezpanjtl injc tlacujlolli: yoan navi imjuh ic qujcentzitzquja in jchimal
\n","citation_key":"citation_anderson_nahuatl_transcription","citation":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]}},{"id":"68d1e30d-4643-49db-b8ec-620f3ef8fcab","choice":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]},"type":"translation","type_label":{"en":["nahuatl translation"],"es":["traducción al náhuatl"]},"column":"nahuatl","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"painted all severed heads, ears, hearts, entrails, livers, breasts, hands, feet. And [he had] his breech clout. Only his breech clout was very precious. And its workmanship was also of the *tlaquaquallo* design; it was so woven. But his large [breech clout][^6] was only of paper; it was of white paper,[^7] one fathom wide and twenty long, painted with a blue striped design. And as to his shoulders: he was carrying as a burden for the back [the blood banner] with the flint knife at the point [of the staff]. His blood banner was only of paperwork painted similarly, painted with [stripes of] blood. And the flint knife at the point was likewise only of paperwork, and also painted similarly, painted with [stripes of] blood. And he went with his shield of stout reedwork; it was a shield of stout reeds decorated in four places with feathers, with eagle down, with tufts of feathers. It was called *teueuelli*. And the shield banner was likewise painted like the blood banner. And he held his four arrows together with his shield. \n\n\n\n\n[^6]: In the MS, a blank follows *jvei*. Seler (*Einige Kapitel*, p. 500) has supplied –*acaio*. Reference to the description of this ceremony in Book II, however, suggests that the omission is -*maxtli*.\n\n\n[^7]: In Victor Wolfgang Von Hagen, *The Aztec and Maya Paper Makers* (New York: J. J. Augustin, 1944), p. 60, *cuah-amatl* is given as “coarse, thickly fibered paper, more difficult to fashion than the fig tree variety”; from bull’s horn acacia (*Acacia cornigera*). On the other hand, a note in Sahagún, Robredo ed., Vol. V, p. 231, reads: “*la materia suministrada por la capa de líber de algunos árboles del género* ficus. *Servía de papel para las pinturas o los libros, y de tela para hacer los adornos, vestidos y otros objetos que el culto de los dioses requería*.”","html":"painted all severed heads, ears, hearts, entrails, livers, breasts, hands, feet. And [he had] his breech clout. Only his breech clout was very precious. And its workmanship was also of the tlaquaquallo design; it was so woven. But his large [breech clout]1 was only of paper; it was of white paper,2 one fathom wide and twenty long, painted with a blue striped design. And as to his shoulders: he was carrying as a burden for the back [the blood banner] with the flint knife at the point [of the staff]. His blood banner was only of paperwork painted similarly, painted with [stripes of] blood. And the flint knife at the point was likewise only of paperwork, and also painted similarly, painted with [stripes of] blood. And he went with his shield of stout reedwork; it was a shield of stout reeds decorated in four places with feathers, with eagle down, with tufts of feathers. It was called teueuelli. And the shield banner was likewise painted like the blood banner. And he held his four arrows together with his shield.
\nIn the MS, a blank follows jvei. Seler (Einige Kapitel, p. 500) has supplied –acaio. Reference to the description of this ceremony in Book II, however, suggests that the omission is -maxtli.↩
In Victor Wolfgang Von Hagen, The Aztec and Maya Paper Makers (New York: J. J. Augustin, 1944), p. 60, cuah-amatl is given as “coarse, thickly fibered paper, more difficult to fashion than the fig tree variety”; from bull’s horn acacia (Acacia cornigera). On the other hand, a note in Sahagún, Robredo ed., Vol. V, p. 231, reads: “la materia suministrada por la capa de líber de algunos árboles del género ficus. Servía de papel para las pinturas o los libros, y de tela para hacer los adornos, vestidos y otros objetos que el culto de los dioses requería.”↩