sartar de piedras preciosas. Colgábanle un juel de una piedra preciosa blanca, que colgaba hasta el pecho. Poníanle un barbote largo hecho de caracol marisco. Llevaba a las espaldas un ornamento como bolsa de un palmo en cuadro, de lienzo blanco, con sus borlas y flocadura. Poníanle también en los brazos, encima de los codos, en los morcilos\nde los brazos, unas ajorcas de oro, en ambos brazos. Poníanle también en las muñecas unos sartales de piedras preciosas que ellos llaman macuextli, que le cubrían casi todas las muñecas hasta el codo. Cubríanle con una manta rica, hecha a manera de red, con una flocadura muy curiosa por las orillas. Poníanle también ceñido una pieza de lienzo muy curiosa que ellos usaban para cubrir las partes baxas, que llamaban máxtlatl. Las estremidades deste máxtlatl era muy labradas, tanta anchura como un palmo, de todo el ancho del lienzo. Golgaban estas estremidades por la parte delantera, casi hasta la rodilla. Poníanle también unos cascabeles de oro en las piernas, que iba sonando por dondequiera que iba. Poníanle unas cotaras muy pintadas, muy curiosas, que las llamaban ocelunacace. Desta manera ataviaba deste mancebo que habían de matar en esta fiesta. Éstos eran los
\n","citation_key":"citation_lopez_spanish_transcription","citation":{"en":["Spanish by López Austin & García Quintana 2000"],"es":["Español por López Austin & García Quintana 2000"]}},{"id":"fdcd4e58-5608-4ba4-868c-85a72c827e06","choice":{"en":["Spanish-to-English by García Garagarza 2023"],"es":["Español-al-inglés por García Garagarza 2023"]},"type":"translation","type_label":{"en":["spanish translation"],"es":["traducción al español"]},"column":"spanish","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(García Garagarza 2023)","markdown":"They would place a necklace made of precious stones around his neck. They would hang a jewel consisting of a white precious stone on him, which hung down to his chest. They would put a long lip plug made of seashell on him. He would wear on his back a bag-like ornament, one square hand span in size, made of white cloth, with its tassels and fringe. They would also put some golden armlets on his arms, above the elbows, on the upper part of both arms. They would also put on his wrists some bracelets that they call _macuextli_, made of precious stones, and [these bracelets] would almost cover his entire forearm from the wrist to the elbow. They would cover him with a rich cape that was made like a net and had a very elegant fringe on its edges. They would also fasten a very elegant piece of cloth that they used to cover their lower parts, which they called _maxtlatl_. The ends of this _maxtlatl_ were very elaborately embroidered all across the width of the cloth, and they were about a hand span in width. These ends would hang over the front, reaching down almost to the knees. They would also put around his legs some golden bells, which would keep making a sound wherever he went. They would put some very decorated and very elegant sandals on him, which they called _ocelonacaceh_. Such was the manner of dress worn by this young man whom they would kill during this festival. These were the","html":"They would place a necklace made of precious stones around his neck. They would hang a jewel consisting of a white precious stone on him, which hung down to his chest. They would put a long lip plug made of seashell on him. He would wear on his back a bag-like ornament, one square hand span in size, made of white cloth, with its tassels and fringe. They would also put some golden armlets on his arms, above the elbows, on the upper part of both arms. They would also put on his wrists some bracelets that they call macuextli, made of precious stones, and [these bracelets] would almost cover his entire forearm from the wrist to the elbow. They would cover him with a rich cape that was made like a net and had a very elegant fringe on its edges. They would also fasten a very elegant piece of cloth that they used to cover their lower parts, which they called maxtlatl. The ends of this maxtlatl were very elaborately embroidered all across the width of the cloth, and they were about a hand span in width. These ends would hang over the front, reaching down almost to the knees. They would also put around his legs some golden bells, which would keep making a sound wherever he went. They would put some very decorated and very elegant sandals on him, which they called ocelonacaceh. Such was the manner of dress worn by this young man whom they would kill during this festival. These were the
\n","citation_key":"citation_garagarza","citation":{"en":["Spanish-to-English by García Garagarza 2023"],"es":["Español-al-inglés por García Garagarza 2023"]}}],"nahuatl_col":[{"id":"47e932fe-f443-4950-8090-891c84504f5b","choice":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]},"type":"transcription","type_label":{"en":["nahuatl transcription"],"es":["transcripción al náhuatl"]},"column":"nahuatl","language":{"en":["Nahuatl"],"es":["Náhuatl"]},"language_code":"nci","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"[teucujtlaepcolo]lli: yoan conaqujaia icoiolnacoch, teuxiujtl in tlachioalli, tlaxiuhçalolli: yoan chipolcuzcatl, yn jcuzquj, oc cepa yielpancuzquj iztac cilin. \n\nAuh njman ie yteçacauh, iteçacapiaz tecciztli: auh ycujtlapan pilcatiuh itoca Jcpatoxi, iuhqujn icpaxiqujpilli: \n\nnjman ie nenecoc teucujtlamatemecatl contlatlalitiuh in jacolpã, yoan in nenecoc imaquechtlan, xinmaquiztli in contetecatiuh, achi vel qujtlatlamja yn jmatzotzopaz: auh çan ycuechin in qujquentiuh, iuhqujn xoujlmatlatl ic cocoiaoac, tochiacatl ynic tentlaiaoalo: yoan ytlaçomaxtli qujmetztopeoa: \n\nauh njman ie ycoiol nenecoc, icxic in contlalitiuh, muchi teucujtlatl in coiolli, mjtoa oiooalli: iehoatl inic xaxamacatiuh, ynic tzitzilicatiuh, ynic caquizti: yoan itzcac ocelunacace: yujn in muchichioaia, in iehoatl miquja ce xiujtl: \n\nyn iquac ie oalacitiuh toxcatl, in ie itech ompachiuhtiuh, yn ie itech onacitiuh, achtopa tlapaliuhcatia, cihoatl qujttaia, mocioaoatiaia ipan vey toçoztli. \n\nAuh qujtepeoaia, qujtlatlaliaia, quicaoa, yn jnechichioal ocatca, yn ipan omotlilçauhtinenca, moxima, mjxquatzontia, iuhqujnma iaute[qujoa,]","html":"[teucujtlaepcolo]lli: yoan conaqujaia icoiolnacoch, teuxiujtl in tlachioalli, tlaxiuhçalolli: yoan chipolcuzcatl, yn jcuzquj, oc cepa yielpancuzquj iztac cilin.
\nAuh njman ie yteçacauh, iteçacapiaz tecciztli: auh ycujtlapan pilcatiuh itoca Jcpatoxi, iuhqujn icpaxiqujpilli:
\nnjman ie nenecoc teucujtlamatemecatl contlatlalitiuh in jacolpã, yoan in nenecoc imaquechtlan, xinmaquiztli in contetecatiuh, achi vel qujtlatlamja yn jmatzotzopaz: auh çan ycuechin in qujquentiuh, iuhqujn xoujlmatlatl ic cocoiaoac, tochiacatl ynic tentlaiaoalo: yoan ytlaçomaxtli qujmetztopeoa:
\nauh njman ie ycoiol nenecoc, icxic in contlalitiuh, muchi teucujtlatl in coiolli, mjtoa oiooalli: iehoatl inic xaxamacatiuh, ynic tzitzilicatiuh, ynic caquizti: yoan itzcac ocelunacace: yujn in muchichioaia, in iehoatl miquja ce xiujtl:
\nyn iquac ie oalacitiuh toxcatl, in ie itech ompachiuhtiuh, yn ie itech onacitiuh, achtopa tlapaliuhcatia, cihoatl qujttaia, mocioaoatiaia ipan vey toçoztli.
\nAuh qujtepeoaia, qujtlatlaliaia, quicaoa, yn jnechichioal ocatca, yn ipan omotlilçauhtinenca, moxima, mjxquatzontia, iuhqujnma iaute[qujoa,]
\n","citation_key":"citation_anderson_nahuatl_transcription","citation":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]}},{"id":"0f6c82a7-d2e2-4693-b4c8-f533715ef5f3","choice":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]},"type":"translation","type_label":{"en":["nahuatl translation"],"es":["traducción al náhuatl"]},"column":"nahuatl","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"curved golden shell pendants.[^6] And they fitted [his ears with] ear plugs made of turquoise, turquoise mosaic. And a shell necklace was his necklace. Moreover, his breast ornament was of white seashells. \n\nAnd then his lip pendant, his slender lip pendant, was of snail shell. And down his back went hanging what was like a cord bag called *icpatoxin*.[^7] \n\nThen on both sides, on his upper arms, he placed golden bracelets, and on both sides, on his wrists, he went placing turquoise bracelets taking up almost all his forearms. And he went putting on only his net cape like a fish net of wide mesh with a fringe of brown cotton thread.[^8] And his costly breechclout reached to the calves of his legs. \n\nAnd then he went placing his bells on both sides, on his legs. All gold were the bells, called *oyoalli.*[^9] These [he wore] because they went jingling, because they went ringing; so did they resound. And his obsidian sandals had ocelot skin ears. Thus was arrayed he who died after one year. \n\nWhen Toxcatl went drawing near, when it approached him, when already it went reaching him, first he married; he looked upon a woman; he was married at the time of Uey toçoztli. \n\nAnd he shed, he put in various places, he abandoned what had been his ornaments in which he had walked about fasting in black. His hair was shorn; he was provided a tuft of hair upon his forehead, like that of \n\n\n\n\n[^6]: Corresponding Spanish text: “*como çerçillos de oro.*” \n\n\n[^7]: Corresponding Spanish text: “*lleuaua a las epaldas, un ornamento como bolsa, de vn palmo en quadro de lienço blanco, con sus borlas y flocadura.*” \n\n\n[^8]: Cf. Sahagún, Garibay ed., Vol. II, p. 311. In the corresponding Spanish text, Sahagún refers to *tochomjtl* (rabbit fur), we think mistakenly. *Tochiacatl* (or *tochacatl*), it would appear, is string or thread, while *tochomitl* is a thong of rabbit skin. \n\n\n[^9]: *oyoalli (oyoualli)* can be translatd as bell or shell rattle. It is also the name of a shell neck pendant worn by the gods of dance. We follow the corresponding Spanish in our translation.","html":"curved golden shell pendants.1 And they fitted [his ears with] ear plugs made of turquoise, turquoise mosaic. And a shell necklace was his necklace. Moreover, his breast ornament was of white seashells.
\nAnd then his lip pendant, his slender lip pendant, was of snail shell. And down his back went hanging what was like a cord bag called icpatoxin.2
\nThen on both sides, on his upper arms, he placed golden bracelets, and on both sides, on his wrists, he went placing turquoise bracelets taking up almost all his forearms. And he went putting on only his net cape like a fish net of wide mesh with a fringe of brown cotton thread.3 And his costly breechclout reached to the calves of his legs.
\nAnd then he went placing his bells on both sides, on his legs. All gold were the bells, called oyoalli.4 These [he wore] because they went jingling, because they went ringing; so did they resound. And his obsidian sandals had ocelot skin ears. Thus was arrayed he who died after one year.
\nWhen Toxcatl went drawing near, when it approached him, when already it went reaching him, first he married; he looked upon a woman; he was married at the time of Uey toçoztli.
\nAnd he shed, he put in various places, he abandoned what had been his ornaments in which he had walked about fasting in black. His hair was shorn; he was provided a tuft of hair upon his forehead, like that of
\nCorresponding Spanish text: “como çerçillos de oro.”↩
Corresponding Spanish text: “lleuaua a las epaldas, un ornamento como bolsa, de vn palmo en quadro de lienço blanco, con sus borlas y flocadura.”↩
Cf. Sahagún, Garibay ed., Vol. II, p. 311. In the corresponding Spanish text, Sahagún refers to tochomjtl (rabbit fur), we think mistakenly. Tochiacatl (or tochacatl), it would appear, is string or thread, while tochomitl is a thong of rabbit skin.↩
oyoalli (oyoualli) can be translatd as bell or shell rattle. It is also the name of a shell neck pendant worn by the gods of dance. We follow the corresponding Spanish in our translation.↩