gran tiento, que no hiciesen alguna disonancia. Los que iban en la delantera, que era la gente más exercitada en la guerra, llevaban echado el brazo por la cintura de la mujer, como abrazándola. Los otros, que no eran tales, no tenían licencia de hacer esto.
\nA la puesta del Sol cesaba este areito y se iban todos para sus casas. Lo mesmo hacían en cada casa, cada uno delante de sus dioses. Había gran ruido en todo el pueblo por razón de los cantares y del tañer de cada casa. Los viejos y viejas bebían vino y enborrachábanse, y renían unos con otros a voces, y otros se jactaban de sus valentías que habían hecho cuan[do]
\n","citation_key":"citation_lopez_spanish_transcription","citation":{"en":["Spanish by López Austin & García Quintana 2000"],"es":["Español por López Austin & García Quintana 2000"]}},{"id":"29d09a9b-c049-43e6-9656-d7c8a031d4ce","choice":{"en":["Spanish-to-English by García Garagarza 2023"],"es":["Español-al-inglés por García Garagarza 2023"]},"type":"translation","type_label":{"en":["spanish translation"],"es":["traducción al español"]},"column":"spanish","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(García Garagarza 2023)","markdown":"great care so as not to create any dissonance. Those who went in the front—who were the most experienced warriors—would dance with one arm around the waist of their female partner, as if embracing her. The others, who had no such status, were not allowed to do this. \n\nThis _areito_ would finish at sunset, and they would all go back home. They would do the same thing in every home, with each one [performing] in front of their own gods. There would be a lot of noise all over town because of all the singing and music playing in every house. The older men and women would drink wine and get drunk, and they would argue and yell at each other, while others would boast about the brave deeds that they had performed when","html":"great care so as not to create any dissonance. Those who went in the front—who were the most experienced warriors—would dance with one arm around the waist of their female partner, as if embracing her. The others, who had no such status, were not allowed to do this.
\nThis areito would finish at sunset, and they would all go back home. They would do the same thing in every home, with each one [performing] in front of their own gods. There would be a lot of noise all over town because of all the singing and music playing in every house. The older men and women would drink wine and get drunk, and they would argue and yell at each other, while others would boast about the brave deeds that they had performed when
\n","citation_key":"citation_garagarza","citation":{"en":["Spanish-to-English by García Garagarza 2023"],"es":["Español-al-inglés por García Garagarza 2023"]}}],"nahuatl_col":[{"id":"682afa72-a43b-4518-af24-d2b44e6778fd","choice":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]},"type":"transcription","type_label":{"en":["nahuatl transcription"],"es":["transcripción al náhuatl"]},"column":"nahuatl","language":{"en":["Nahuatl"],"es":["Náhuatl"]},"language_code":"nci","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"[j]tech, yn itlan manj. \n\nAuh ynic mjtotia, amo chocholoa, amono ontlayiaoa, amo ontlayiauhtiuj, amo motlatlaztiuj, amo momaitotitiuj, amo mopapachoa, amo momamalacachotiuj, amo aujc onviuj, amo tzitzinqujça: \n\nçan yujian çan matca, çan tlamach yn iatiuj, yn mjtotitiuj: cēca çan coamantiuh, coanotiuh in netotiliztli, aiac tlaolinja, aiac tlaamana, aiac tlepeionja, aiac tlaixneloa. \n\nAuh in cioa in q͗nnaoa, çan iehoantin in veuey tiacaoan: auh in çan tiachcaoan, amono iehoãtin, amo qujnnaoaia. \n\nAuh in necaoalo in netotilo, ça achi tonatiuh, ie oncalaquiz tonatiuh, cecenmanoa viujloa. \n\nAuh in noujan calpan, cujcujco, qujncujcujcatia yn inteteuoan: yn aço omacatl, anoço chicome coatl, anoço hecatl, anoço coatl xoxouhguj, nanachca in cujco, quitzacutimanj, in cujco, tlacaoacatimanj, tlaca[oacatinemj]","html":"[j]tech, yn itlan manj.
\nAuh ynic mjtotia, amo chocholoa, amono ontlayiaoa, amo ontlayiauhtiuj, amo motlatlaztiuj, amo momaitotitiuj, amo mopapachoa, amo momamalacachotiuj, amo aujc onviuj, amo tzitzinqujça:
\nçan yujian çan matca, çan tlamach yn iatiuj, yn mjtotitiuj: cēca çan coamantiuh, coanotiuh in netotiliztli, aiac tlaolinja, aiac tlaamana, aiac tlepeionja, aiac tlaixneloa.
\nAuh in cioa in q͗nnaoa, çan iehoantin in veuey tiacaoan: auh in çan tiachcaoan, amono iehoãtin, amo qujnnaoaia.
\nAuh in necaoalo in netotilo, ça achi tonatiuh, ie oncalaquiz tonatiuh, cecenmanoa viujloa.
\nAuh in noujan calpan, cujcujco, qujncujcujcatia yn inteteuoan: yn aço omacatl, anoço chicome coatl, anoço hecatl, anoço coatl xoxouhguj, nanachca in cujco, quitzacutimanj, in cujco, tlacaoacatimanj, tlaca[oacatinemj]
\n","citation_key":"citation_anderson_nahuatl_transcription","citation":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]}},{"id":"3625ccf2-5181-4952-92c8-6c88e7e82609","choice":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]},"type":"translation","type_label":{"en":["nahuatl translation"],"es":["traducción al náhuatl"]},"column":"nahuatl","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"Against it, by it, stood [the musicians]. \n\nAnd as they danced, they did not keep leaping nor did they make great movements; they did not go making dance gestures; they did not go throwing themselves continually[^18] about, they did not go dancing with arm movements, they did not continually bend their bodies, they did not continually go whirling themselves, they did not keep going from side to side, they did not keep turning their backs. \n\nIt was quite quietly, quite calmly, quite evenly that they went going, that they went dancing. Very much as a serpent goeth, as a serpent lieth,[^19] was the dance. None disturbed, none intruded, none encircled,[^20] none broke in. \n\nAnd those who embraced the women were only the great, brave warriors. But those who were only masters of the youths did not embrace them. \n\nAnd when there was an end to the dancing, there was only a little sun; already the sun was about to set. There was dispersing, there was going on the part of each one. \n\nAnd everywhere in the houses, there was singing; there was singing in each one. They sang for their gods: perhaps Omacatl, or Chicome coatl, or Ehecatl, or Coatl xoxouhqui. Over here, over there, there was singing; song was widespread. Cries were widespread; \n\n\n\n\n[^18]: *momatlatlaztiui* in *ibid*. \n\n\n[^19]: *coaonotiuh* in *ibid*. \n\n\n[^20]: *tlapeyonia* in *ibid*.","html":"Against it, by it, stood [the musicians].
\nAnd as they danced, they did not keep leaping nor did they make great movements; they did not go making dance gestures; they did not go throwing themselves continually1 about, they did not go dancing with arm movements, they did not continually bend their bodies, they did not continually go whirling themselves, they did not keep going from side to side, they did not keep turning their backs.
\nIt was quite quietly, quite calmly, quite evenly that they went going, that they went dancing. Very much as a serpent goeth, as a serpent lieth,2 was the dance. None disturbed, none intruded, none encircled,3 none broke in.
\nAnd those who embraced the women were only the great, brave warriors. But those who were only masters of the youths did not embrace them.
\nAnd when there was an end to the dancing, there was only a little sun; already the sun was about to set. There was dispersing, there was going on the part of each one.
\nAnd everywhere in the houses, there was singing; there was singing in each one. They sang for their gods: perhaps Omacatl, or Chicome coatl, or Ehecatl, or Coatl xoxouhqui. Over here, over there, there was singing; song was widespread. Cries were widespread;
\n