en aquella casa. Después de haber comido y bebido y recebido cañas de humo y otros dones, salíanse y íbanse a sus casas. Otro día siguiente hacían lo mesmo, y llamaban a este segundo día tlaixnextía. El tercero día comían y bebían, y daban dones de la misma manera. Llamaban a este día teteuhaltía, porque entonces ponían a los esclavos que habían de morir unas cabelleras hechas de pluma rica que se llaman xinapállotl. Eran hechas de plumas de muchas colores, de plumas blancas, que colgaban como cabellos. Y poníanlos unas orejeras de palo pintadas de diversos colores. Colgábanlos de las narices unas piedras negras anchas, hechas a manera de mariposa, y vestíanlos unas xaquetas que llegaban hasta los muslos, con unas orillas deshiladas. A esta xaqueta llamaban teuxicolli. Estaban pintados con azul claro y con tinta negra y con colorado; y las pinturas eran cabezas de muertos con huesos de muertos, puestos en cuadra. Iban ceñidos con unos ceñideros que se llamaban xiuhtlalpilli. Poníanles en los hombros unas alas de cavilanes que llamaban tlóhmaitl. Estaban las alas revueltas con papel los cabos dellas, y asidas a la xaqueta. Estaba pintado aquel papel de diversas colores entrepues[tas]
\n","citation_key":"citation_lopez_spanish_transcription","citation":{"en":["Spanish by López Austin & García Quintana 2000"],"es":["Español por López Austin & García Quintana 2000"]}},{"id":"d0db7cb4-80e4-4320-8b13-8507cca43656","choice":{"en":["Spanish-to-English by García Garagarza 2023"],"es":["Español-al-inglés por García Garagarza 2023"]},"type":"translation","type_label":{"en":["spanish translation"],"es":["traducción al español"]},"column":"spanish","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(García Garagarza 2023)","markdown":"would eat and drink all night long. Once they had finished eating and drinking, and after receiving the smoking tubes and other gifts, they would leave and go home. The next day, they would repeat the same thing, and they called this second day _tlaixnextia_. On the third day, they would eat and drink and give away gifts in the same way. They called this day _teteohaltia_, because this is when they would put some wigs made of valuable feathers called _xinapallotl_ on [the heads of] the slaves who were going to die. [These wigs] were made with feathers of many colors and with white feathers hanging down like hair. And they would put on them some wooden ear ornaments that were painted in different colors. They would hang from their noses some broad black stones made in the shape of a butterfly, and they would dress them in some jackets with fraying edges that reached down to their thighs. They called this jacket _teoxicolli_. These were painted in a light-blue color, black ink, and a red [color], and the paintings [on the jacket] depicted skulls and bones of the dead, arranged in a square. They would be girdled with some girdles that were called _xiuhtlalpilli_. They would place some falcon wings called _tlohmaitl_ on their shoulders. The ends of these wings were mixed with paper and fastened to the jacket. That paper was painted in a variety of interspersed colors:","html":"would eat and drink all night long. Once they had finished eating and drinking, and after receiving the smoking tubes and other gifts, they would leave and go home. The next day, they would repeat the same thing, and they called this second day tlaixnextia. On the third day, they would eat and drink and give away gifts in the same way. They called this day teteohaltia, because this is when they would put some wigs made of valuable feathers called xinapallotl on [the heads of] the slaves who were going to die. [These wigs] were made with feathers of many colors and with white feathers hanging down like hair. And they would put on them some wooden ear ornaments that were painted in different colors. They would hang from their noses some broad black stones made in the shape of a butterfly, and they would dress them in some jackets with fraying edges that reached down to their thighs. They called this jacket teoxicolli. These were painted in a light-blue color, black ink, and a red [color], and the paintings [on the jacket] depicted skulls and bones of the dead, arranged in a square. They would be girdled with some girdles that were called xiuhtlalpilli. They would place some falcon wings called tlohmaitl on their shoulders. The ends of these wings were mixed with paper and fastened to the jacket. That paper was painted in a variety of interspersed colors:
\n","citation_key":"citation_garagarza","citation":{"en":["Spanish-to-English by García Garagarza 2023"],"es":["Español-al-inglés por García Garagarza 2023"]}}],"nahuatl_col":[{"id":"61750f3e-7b2c-4266-8915-09508010f499","choice":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]},"type":"transcription","type_label":{"en":["nahuatl transcription"],"es":["transcripción al náhuatl"]},"column":"nahuatl","language":{"en":["Nahuatl"],"es":["Náhuatl"]},"language_code":"nci","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"in onnexochitilo, in onneiietilo, in onnetlauhtilo, çan ic oalquixoaticac.\n\nAuh inic oppa tenotzaia: icoac in ontlaisnestia, çan no iuh mochioaia in omito.\n\nAuh inic espa tenotzaia: icoac in teteualtia, icoac quimonaquiaia in imicpac, in itlaaltilhoan, mitoaia anecuiotl, iehoatl in ihuitl tlachioalli, xinapallotl, uel isquich in nepapan ihuitl ic tlachioalli, iuhquin tzoncalli, iztac ihuitl inic tlapilollo in itzon mochioaia: ioan inacoch, quauhnacochtli, tlatlatlapalicuilolli, ioan iacapilol, itzpatlactli ipã quiçaia: ioan iteuxicol in conaqujaia, imetzpan tlami, ic tenpoçonqui potonqui: auh inic tlacuilolli texotli tlilli, tlapalli, tzotzontecomaio, oomicallo: ioan inic mocuitlalpiaia xiuhtlalpilli: auh in iaculpan contlatlalilia tlômaitl, iehoatl in tlôtli iiamatlapal, nenecuc in iaculpan coniilpilia, amatl inic tlatzinquimilolli tlacuilolli tlapaltica, tliltica, apetztli ipan tlapipixolli, ioan matacastli centlapal in imaquechtlan contlaliliaia, ompa in iopuchcopa, iuhquin manipulo: ioan itzcactli in quinmacaia, in ipan nenemia.","html":"in onnexochitilo, in onneiietilo, in onnetlauhtilo, çan ic oalquixoaticac.
\nAuh inic oppa tenotzaia: icoac in ontlaisnestia, çan no iuh mochioaia in omito.
\nAuh inic espa tenotzaia: icoac in teteualtia, icoac quimonaquiaia in imicpac, in itlaaltilhoan, mitoaia anecuiotl, iehoatl in ihuitl tlachioalli, xinapallotl, uel isquich in nepapan ihuitl ic tlachioalli, iuhquin tzoncalli, iztac ihuitl inic tlapilollo in itzon mochioaia: ioan inacoch, quauhnacochtli, tlatlatlapalicuilolli, ioan iacapilol, itzpatlactli ipã quiçaia: ioan iteuxicol in conaqujaia, imetzpan tlami, ic tenpoçonqui potonqui: auh inic tlacuilolli texotli tlilli, tlapalli, tzotzontecomaio, oomicallo: ioan inic mocuitlalpiaia xiuhtlalpilli: auh in iaculpan contlatlalilia tlômaitl, iehoatl in tlôtli iiamatlapal, nenecuc in iaculpan coniilpilia, amatl inic tlatzinquimilolli tlacuilolli tlapaltica, tliltica, apetztli ipan tlapipixolli, ioan matacastli centlapal in imaquechtlan contlaliliaia, ompa in iopuchcopa, iuhquin manipulo: ioan itzcactli in quinmacaia, in ipan nenemia.
\n","citation_key":"citation_anderson_nahuatl_transcription","citation":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]}},{"id":"8499925b-e5f3-40ab-ae31-e95af80e0658","choice":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]},"type":"translation","type_label":{"en":["nahuatl translation"],"es":["traducción al náhuatl"]},"column":"nahuatl","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"when flowers, tobacco tubes, [and] gifts were given. There was constant going [and coming].\n\nAnd the second time that he summoned guests was when it was [the ceremony called] *tlaixnextia*. In just the same way was it done as hath been told.\n\nAnd the third time that he summoned guests was when it was [the ceremony called] *teteualtia*, when he put on the heads of his bathed ones what were known as the *anecuyotl*;[^3] this was a turquoise device, made with feathers[^4]—indeed made of all kinds of feathers, like a feather headdress of white feather pendants, which became his hair. And his ear plugs were wooden, painted of many colors. And as his nose pendant there issued a broad piece of obsidian. And his godly jacket, which he put on, ended at his thighs. Its raveled border was feathered,[^5] and in blue, black, red, it was designed with skulls, with a field of bones;[^6] and he was bound about the waist with a rich sash. And on [each of] his shoulders they placed a prairie falcon’s wing.[^7] These were paper prairie falcon wings; he bound on each shoulder the paper which was wrapped about the base [of the wings. The paper was] painted with red, with black, with flecks of iron pyrites strewn over it.[^8] And an arm band [was] on one arm; on their wrists, there on the left they had placed what was like a maniple. And he gave them obsidian sandals, on which they walked.\n\n\n\n\n[^3]: Cf. Anderson and Dibble, *op. cit*., Book I, p. 69.\n\n\n[^4]: The *Acad. Hist. MS* has *xiuapallotl*. See Molina, *op. cit., uapaua *(*guarnecer algo*)*.\n\n\n[^5]: Corresponding Spanish text: *”con vnas orillas deshiladas.”*\n\n\n[^6]: *Ibid*.: *”huessos de muertos, puestos en quadra.”*\n\n\n[^7]: *Falco mexicanus* Schlegal. Friedmann *et al., op. cit*., Pt. I, p. 65.\n\n\n[^8]: *Ibid*.: *”Estauan … rebueltas con papel los cabos dellas, y asidas a la xaqueta*:* estaua pintado, aquel papel de diuersas colores entrepuestas, colorado, y negro, rebuelto con marcaxita.”*—After *tliltica*, the *Acad. Hist. MS* has *texotica;* and, for *matacastli, moxotaztli*.","html":"when flowers, tobacco tubes, [and] gifts were given. There was constant going [and coming].
\nAnd the second time that he summoned guests was when it was [the ceremony called] tlaixnextia. In just the same way was it done as hath been told.
\nAnd the third time that he summoned guests was when it was [the ceremony called] teteualtia, when he put on the heads of his bathed ones what were known as the anecuyotl;1 this was a turquoise device, made with feathers2—indeed made of all kinds of feathers, like a feather headdress of white feather pendants, which became his hair. And his ear plugs were wooden, painted of many colors. And as his nose pendant there issued a broad piece of obsidian. And his godly jacket, which he put on, ended at his thighs. Its raveled border was feathered,3 and in blue, black, red, it was designed with skulls, with a field of bones;4 and he was bound about the waist with a rich sash. And on [each of] his shoulders they placed a prairie falcon’s wing.5 These were paper prairie falcon wings; he bound on each shoulder the paper which was wrapped about the base [of the wings. The paper was] painted with red, with black, with flecks of iron pyrites strewn over it.6 And an arm band [was] on one arm; on their wrists, there on the left they had placed what was like a maniple. And he gave them obsidian sandals, on which they walked.
\nCf. Anderson and Dibble, op. cit., Book I, p. 69.↩
The Acad. Hist. MS has xiuapallotl. See Molina, op. cit., uapaua *(guarnecer algo).↩
Corresponding Spanish text: ”con vnas orillas deshiladas.”↩
Ibid.: ”huessos de muertos, puestos en quadra.”↩
Falco mexicanus Schlegal. Friedmann et al., op. cit., Pt. I, p. 65.↩
Ibid.: ”Estauan … rebueltas con papel los cabos dellas, y asidas a la xaqueta:* estaua pintado, aquel papel de diuersas colores entrepuestas, colorado, y negro, rebuelto con marcaxita.”—After *tliltica, the Acad. Hist. MS has texotica; and, for matacastli, moxotaztli.↩