çan oc cecentetl motetequi, motzacuoatza in ihuitl, motenehoa tlatzacoatzalli: tzacutica mopiloa, motzacupiloa in ihuitl, çatepan mepan moçaloa, omiuictica ommisxipetzoa.
\nInin motenehoa tlaoatzalli: çan oc moche in maceoalihuitl, ca iehoatl uel quiiacana, quiiacatia inic iecaui ihuitlachioalli: iehoatl achto tlapepechiotl, ipepech mochioa quimopepechtia, in isquich tlaçoihuitl, aço coztlapalli in motzacoatza, anoço aztatl, anoço chamolin, anoço cuitlatexotli, anoço cochoihuitl, anoço itla ihuitl çan tlapalli, tlatlapalpalli: ipan mouelitta, moiehecoa, monanamictia, in catlehoatl quimonamictiz, quimopepechtiz tlaçoihuitl, in xiuhtototl, iehoatl mopepechiotia, in cuitlatexotli ihuiio: iehoatl quisoaltia in alo: auh in tzinitzcan, iehoatl quimopepechtia in cochoihuitl: auh in tlauh[quechol:]
\n","citation_key":"citation_anderson_nahuatl_transcription","citation":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]}},{"id":"cce49dcc-649f-402c-90ce-fcb10fc67176","choice":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]},"type":"translation","type_label":{"en":["nahuatl translation"],"es":["traducción al náhuatl"]},"column":"nahuatl","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"the feathers had been cut,[^11] one by one; glue-hardened, one by one. They were known as the glue-hardened feathers. The feathers were suspended, dipped, in glue; later they were stuck to the maguey leaf; their surfaces were smoothed with the bone blade.\n\nThis so-called glue-hardening was all of common feathers; for they came first of all, at the start, in order to accomplish the feather work. This, to begin with, became the basis, the bed, on which all the precious feathers were bedded. Perhaps yellow dyed ones were glue-hardened, or heron, or scarlet ones, or blue parrot,[^12] or green parrot feathers,[^13] or some feathers dyed in one color, dyed in many. They took note, they tried out, they matched whatsoever kind would harmonize, would serve as the basis for the precious feathers. Blue cotinga were provided blue parrot feathers as a basis; they [also] matched scarlet macaw feathers.[^14] And for trogonorus, they used green parrot feathers as a basis. And \n\n\n\n\n[^11]: *Acad. Hist. MS*:* moteteca*.\n\n\n[^12]: Cf. *supra*, Chap. I, n. 2.\n\n\n[^13]: *Anoço chochoihuitl*:* aço cochoyvitl* in *Acad. Hist. MS*.\n\n\n[^14]: *Alo*: Scarlet macaw, *Ara macao *(*Linnaeus*)*, in Friedmann *et al., op. cit*., Pt. I, p. 125.","html":"the feathers had been cut,1 one by one; glue-hardened, one by one. They were known as the glue-hardened feathers. The feathers were suspended, dipped, in glue; later they were stuck to the maguey leaf; their surfaces were smoothed with the bone blade.
\nThis so-called glue-hardening was all of common feathers; for they came first of all, at the start, in order to accomplish the feather work. This, to begin with, became the basis, the bed, on which all the precious feathers were bedded. Perhaps yellow dyed ones were glue-hardened, or heron, or scarlet ones, or blue parrot,2 or green parrot feathers,3 or some feathers dyed in one color, dyed in many. They took note, they tried out, they matched whatsoever kind would harmonize, would serve as the basis for the precious feathers. Blue cotinga were provided blue parrot feathers as a basis; they [also] matched scarlet macaw feathers.4 And for trogonorus, they used green parrot feathers as a basis. And
\n