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icoac in omotequisquiui, in ie omocencauh, in izquicac icac tlapepechiotl, in ihuitlaoatzalli: in ie nouian omotetecac, omotzacoaz, in ipan ichcatl mepan tlacuilolli, çatepan mocoleoa.</p>\n<p>Auh in icoac centetl momana: oapaltontli ipan moçaloa ce amatl, oc ceppa ipan micuiloa in omocuicuic machiotl, in tlacuicuitl omochiuh: iehoatl ipan iecaui in ihuitlachioalli, ipan mocençaloa in ihuitl oapalli, aço suchitlacuilolli, aço quillacuilolli, anoço itla tlaixiptlaiotl in mochioaz, in çaço quenami tlamachtli, intla uel ittalli.\nIn icoac omicuilo, in omotli[tlilani]</p>\n","citation_key":"citation_anderson_nahuatl_transcription","citation":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]}},{"id":"f3b859fb-2f82-4151-94a6-b3ec15acb1d9","choice":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]},"type":"translation","type_label":{"en":["nahuatl translation"],"es":["traducción al náhuatl"]},"column":"nahuatl","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"for the red spoonbill, the moulted feathers[^15] of the same spoonbill, or red dyed feathers, became the basis. And for yellow parrot feathers, yellow dyed feathers became the basis; in the same way, they used moulted yellow parrot feathers to form the basis.\n\nThese feathers, which were called yellow dyed, were only dyed; dyed, tinted yellow. The yellow color cooked on the fire; it boiled; alum[^16] was added; and then it was provided with saltpeter.\n\nWhen [the color] had been provided with saltpeter;[^17] when [the feather base was] finished; when on all parts stood the glue-hardened feathers for the basis; when everywhere each one had been laid out on the painted cotton on the maguey leaf, had been glue-hardened, then it was lifted off.[^18]\n\nAnd then a thin board was set out; a paper was glued on it; on this once again was painted the trimmed pattern, which had become the work design. On this was the feather work completed; on it all the feather base was glued, perhaps to be pictures of flowers, or of plants, or of some image which was to be made, of whatever design which was pleasing.\n\nWhen the \n\n\n\n\n[^15]: *Acad. Hist. MS*: *yalapachyo*.\n\n\n[^16]: Cf. Book XI, Chap. xi, of the *Florentine Codex*; also Arthur J. O. Anderson: &#8220;Pre-Hispanic Aztec Colorists,&#8221; *El Palacio*, Vol. 55 (1948), pp. 22–23. *Tlasxocotl*: probably *tlalxocotl* is intended.\n\n\n[^17]: The *Acad. Hist. MS* does not repeat *omotequisquiui*.\n\n\n[^18]: See Pl. 97.","html":"<p>for the red spoonbill, the moulted feathers<sup class=\"footnote-ref\" id=\"fnref-1\"><a href=\"#fn-1\">1</a></sup> of the same spoonbill, or red dyed feathers, became the basis. And for yellow parrot feathers, yellow dyed feathers became the basis; in the same way, they used moulted yellow parrot feathers to form the basis.</p>\n<p>These feathers, which were called yellow dyed, were only dyed; dyed, tinted yellow. The yellow color cooked on the fire; it boiled; alum<sup class=\"footnote-ref\" id=\"fnref-2\"><a href=\"#fn-2\">2</a></sup> was added; and then it was provided with saltpeter.</p>\n<p>When [the color] had been provided with saltpeter;<sup class=\"footnote-ref\" id=\"fnref-3\"><a href=\"#fn-3\">3</a></sup> when [the feather base was] finished; when on all parts stood the glue-hardened feathers for the basis; when everywhere each one had been laid out on the painted cotton on the maguey leaf, had been glue-hardened, then it was lifted off.<sup class=\"footnote-ref\" id=\"fnref-4\"><a href=\"#fn-4\">4</a></sup></p>\n<p>And then a thin board was set out; a paper was glued on it; on this once again was painted the trimmed pattern, which had become the work design. On this was the feather work completed; on it all the feather base was glued, perhaps to be pictures of flowers, or of plants, or of some image which was to be made, of whatever design which was pleasing.</p>\n<p>When the</p>\n<section class=\"footnotes\">\n<ol>\n<li id=\"fn-1\"><p><em>Acad. Hist. MS</em>: <em>yalapachyo</em>.<a href=\"#fnref-1\" class=\"footnote\">&#8617;</a></p></li>\n<li id=\"fn-2\"><p>Cf. Book XI, Chap. xi, of the <em>Florentine Codex</em>; also Arthur J. O. Anderson: “Pre-Hispanic Aztec Colorists,” <em>El Palacio</em>, Vol. 55 (1948), pp. 22–23. <em>Tlasxocotl</em>: probably <em>tlalxocotl</em> is intended.<a href=\"#fnref-2\" class=\"footnote\">&#8617;</a></p></li>\n<li id=\"fn-3\"><p>The <em>Acad. Hist. MS</em> does not repeat <em>omotequisquiui</em>.<a href=\"#fnref-3\" class=\"footnote\">&#8617;</a></p></li>\n<li id=\"fn-4\"><p>See Pl. 97.<a href=\"#fnref-4\" class=\"footnote\">&#8617;</a></p></li>\n</ol>\n</section>\n","citation_key":"citation_anderson_nahuatl_eng_translation","citation":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]}}]},"folio":"65r"}