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in ihuitl commopechtitiuh in tlaoatzalli: auh ipan onmomantiuh in amamachiotl tlacuicuitl, ipan onmoiehecotiuh, inic amo cana necuiliuiz tlachioalli, inic amo quipatiliz, çan uel onmonamictitiuh in machiotl: inic onmoçalotiuh ihuitl.\n\nOca çan ihui in, in mochioa in iecaui in ihuitlacuilolli in tzacutica mochioa.\nAuh in oc centlamantli tlachioalli, in çan mecatica, ichtica iecaui: iehoatl in iuhqui ecacehoaztli, quetzallecacehoaztli, machoncotl, tlamamalli tlauiztli, tozehoatl Etc.ª Niman ic tlapilolli, tlatecomaiotl, tlateloloiotl, tlaiacac pilcacaiotl, moch ic mouelnestia, ic motlamamaca in ecaceoaztli.\n\nAuh inic ecaui achto molpia in colotli: çatepan misquachuia ic chicaoa, iehoatl ipan momana in","html":"<p>[monana]mictiuh, inic ommotectiuh tlapepechotl, in izquican icac tlaoatzalli omoteneuh, ipan onmotztiuh in machiotl, in iuhqui ic icuiliuhqui, in quezquitlamantli tlapalli ipan motta.</p>\n<p>In icoac omoçalo omiuictica tlaoatzalli: niman isco onmoquetza in tlaçoihuitl, motecpantiuh, moçalotiuh, omiuictica onmoquetztiuh, çan iuh otlatocatiuh, mopepechotiuh in ihuitl commopechtitiuh in tlaoatzalli: auh ipan onmomantiuh in amamachiotl tlacuicuitl, ipan onmoiehecotiuh, inic amo cana necuiliuiz tlachioalli, inic amo quipatiliz, çan uel onmonamictitiuh in machiotl: inic onmoçalotiuh ihuitl.</p>\n<p>Oca çan ihui in, in mochioa in iecaui in ihuitlacuilolli in tzacutica mochioa.\nAuh in oc centlamantli tlachioalli, in çan mecatica, ichtica iecaui: iehoatl in iuhqui ecacehoaztli, quetzallecacehoaztli, machoncotl, tlamamalli tlauiztli, tozehoatl Etc.ª Niman ic tlapilolli, tlatecomaiotl, tlateloloiotl, tlaiacac pilcacaiotl, moch ic mouelnestia, ic motlamamaca in ecaceoaztli.</p>\n<p>Auh inic ecaui achto molpia in colotli: çatepan misquachuia ic chicaoa, iehoatl ipan momana in</p>\n","citation_key":"citation_anderson_nahuatl_transcription","citation":{"en":["Nahuatl by Anderson & Dibble 1953–1982"],"es":["Náhuatl por Anderson & Dibble 1953–1982"]}},{"id":"7c5f89f9-df3e-4750-98ed-748157d46b10","choice":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]},"type":"translation","type_label":{"en":["nahuatl translation"],"es":["traducción al náhuatl"]},"column":"nahuatl","language":{"en":["English"],"es":["Inglés"]},"language_code":"eng","subtitle":"(Anderson & Dibble 1953–1982)","markdown":"The mentioned glue-hardened feathers formed the bed in all places. They continued consulting the pattern, how it was painted, noting the different colors appearing on it.\n\nWhen the glue-hardened feathers had been fastened down with the bone blade, then on its surface were set the precious feathers, going placed, glued in order, set in position by means of the bone blade; just so proceeding, the covering continuing, the feathers proceeding to cover the glue-hardened ones. And on it the trimmed paper pattern went being laid, being tested. Lest somewhere the work might be warped, lest it be distorted, the pattern went on being compared as the gluing of the feathers proceeded.\n\nJust so was made, completed, the feather painting which was made with glue.\n\nBut there was still another manner of work which was finished only with cord, with maguey thread. These were such as fans, quetzal feather fans, feathered bracelets for the upper arm, devices borne upon the back, yellow parrot feather shirts, etc.; then pendants, tufts of feathers, balls of feathers, tassels—all things with which the fans were beautified [and] laden.\n\nAnd to complete these, first a frame was bound together. Then it was covered over to strengthen it. On this were laid out the","html":"<p>The mentioned glue-hardened feathers formed the bed in all places. They continued consulting the pattern, how it was painted, noting the different colors appearing on it.</p>\n<p>When the glue-hardened feathers had been fastened down with the bone blade, then on its surface were set the precious feathers, going placed, glued in order, set in position by means of the bone blade; just so proceeding, the covering continuing, the feathers proceeding to cover the glue-hardened ones. And on it the trimmed paper pattern went being laid, being tested. Lest somewhere the work might be warped, lest it be distorted, the pattern went on being compared as the gluing of the feathers proceeded.</p>\n<p>Just so was made, completed, the feather painting which was made with glue.</p>\n<p>But there was still another manner of work which was finished only with cord, with maguey thread. These were such as fans, quetzal feather fans, feathered bracelets for the upper arm, devices borne upon the back, yellow parrot feather shirts, etc.; then pendants, tufts of feathers, balls of feathers, tassels—all things with which the fans were beautified [and] laden.</p>\n<p>And to complete these, first a frame was bound together. Then it was covered over to strengthen it. On this were laid out the</p>\n","citation_key":"citation_anderson_nahuatl_eng_translation","citation":{"en":["Nahuatl-to-English by Anderson & Dibble 1953–1982"],"es":["Náhuatl-al-inglés por Anderson & Dibble 1953–1982"]}}]},"folio":"66r"}